The Pathos Of The Blagojevich: A Courtroom Sketch
Wednesday, August 25th, 2010
(Above: a photoshop picture. Blagojevich courtroom sketches do not hang alongside Picasso's ... yet)
Great art evokes emotion. I discovered this for myself several years ago when I visited the Reina Sofia museum in Madrid to see the iconic Picasso master painting Guernica. As I stood before this massive 11 x 25 ft. mural in oil I couldn’t move my eyes away from the 4 x 4 photograph of it in the “Around Town” section of my Time Out Madrid. It’s when I noticed the unlit matches tucked inside the pages of my tourism book.
It was no coincidence. Picasso’s masterwork was working through me. Evoking me – provoking me. To do what exactly? Close my book, pocket my camera, and really view the painting? Of course not. It wanted me to set it on fire. To pull out those matches and make a Picasso burn.
I didn’t of course. You would have read about it. I certainly would have blogged about it, and then the inevitable headline: “Uncomfortably Attractive Male Sets Picasso on Fire, Evades Custody, Admits to Crime via Beautifully Composed Weblog.”
But just because I didn’t burn down that Picasso doesn’t disqualify the emotion it evoked. It made me feel something, and whatever that feeling – be it peaceful meditation or the lustful urge of an arsonist’s hate – it is a feeling.
Before my moment in Madrid I was not a big fan of art. More of a Bulls fan really. Up to that point, nothing I had seen stirred up such “burning” emotion, other than mailboxes, and after Madrid no art has evoked me since.
That is until this courtroom sketch of disgraced former governor Rod Blagojevich awaiting the 24 count verdict in his federal corruption trial. It challenges me. Arouses me. “Turns me on,” metaphorically of course. When I see it, I think these things, in this order:































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